Open Content Program
The Birmingham Museum of art makes available digital images of works in the Museum’s collection believed to be in the public domain. Images are available free of charge for any use, commercial or non-commercial. Users do not need to contact the Museum for authorization to use these images. They are available through the Online Collection at artsbma.org/collection. See detailed instructions for specific work types below.
Identifying Open Content Images
The mission of the Birmingham Museum of Art is to spark the creativity, imagination, and liveliness of Birmingham by connecting all its citizens to the experience, meaning, and joy of art. The Museum understands that by sharing images of works online without restrictions, the BMA collection becomes more accessible to a larger audience.
For objects with images the rights status is displayed in the “credit line” section of the object information. The rights status or rights holder will be indicated. If the work is in the public domain and/or the image may be downloaded, the download icon will appear in the bottom right corner of the image area. To search the collection click here.
Works With Restrictions
For copyright-protected images that have been approved by copyright holders, a presentation-sized image is available, but can not be downloaded. A copyright statement clearly listing the name of the copyright holder is visible in the credit line area when the image is displayed. Thumbnail-sized images of copyrighted works are displayed under fair use.
When the owner of a work is impossible to determine or contact, the work is deemed an orphan work. The Museum will make thumbnails of orphan works available. If you are the representative or rights holder of an orphan work, please contact Rights and Reproductions.
Please use the following source credit when reproducing an Open Content image: Courtesy Birmingham Museum of Art, followed by the credit line provided in the object description.
Although there are no restrictions or conditions of the use of an Open Content image, the BMA would appreciate a gratis copy of any scholarly publication(s) in which the images are reproduced in order to maintain collection bibliography. Copies may be sent to the attention of:
Open Content Program
Digital Media Department
The Birmingham Museum of Art
2000 Rev. Abraham Woods Jr. Blvd
Birmingham, AL 35203
- If an image is not available under Open Content it may be because the work is still under copyright, the work is not owned by the museum, or the work has not yet been photographed to BMA standards.
- Request Images: If an image of a work is not available online or is under copyright, you may submit a request through our online request form. You may also request files in additional sizes or formats. A fee will be charged for this service.
- Our determination of public domain is made in good faith.
- Electronic records are based on historical information and may not be the Museum’s complete or current knowledge about an object. Research is ongoing.
- The ‘On View’ status may be delayed on the website by 24 hours. Please check with our Rights and Registration Office to confirm that a work of art will be on view before traveling to the Museum.
- Titles La boisson chaude (The Hot Drink) (Proper)
- Artist Christophe Huet, French, 1700 - 1759
- Medium oil on canvas
- Dimensions 119 1/2 × 53 1/4 in. (303.5 × 135.3 cm) frame: 126 × 59 3/4 in. (320 × 151.8 cm)
- Credit Line Museum purchase with funds provided by the Art Fund, Inc. at the Birmingham Museum of Art, and the 1992 Museum Dinner and Ball, 1992.1.1
- Work Type painting
- Classification Paintings
- On View
- Signature None
- Marks None
- Inscription Verso, upper stretcher, top left, stamp and ink on label: 6268 [stamped] / x58/4 [ink] Verso, upper stretcher, right, black marker: x 58/4 Verso, right stretcher, upper center, marker: x 58/4 / g Verso, right stretcher, lower right, ink on red sticker: 4533 Verso, left stretcher, center, ink on orange label: K / M120930/800 (4) C-11 [difficult to read] Verso, left stretcher, center, graphite: Jeuliere [or Jeilliere] Verso, vertical strainer, center, black ink: D
- Provenance Probably commissioned by the Titon family for Château d'Ognon-en-Valois, France, about 1750 [see note 1]. Auctioned at Hôtel George V, Paris, March 18-19, 1981, lot 73A-D. Elizabeth “Libby” Avery Keck (1921-2017), Keck Collection, La Laterne, Bel Air, California, by April 1987 [see note 2]; auctioned at Important Old Master Paintings, Sotheby's New York, January 17, 1992, lot 58; purchased by the Birmingham Museum of Art, Alabama, 1992
1. According to Raymond Poussard, “Halatte: Deux Mille ans d'Art et d'Histoire Autour d'une Forêt Royale: Ognon et Chamant châteaux des Titon.” Groupement d’Étude des Monuments et Œuvres d’art de l’Oise et du Beauvaisis (Bulletin du G.E.M.O.B.) 92-94 (October 1, 1999): Note 144. The 1981 auction catalog mentioned the paintings as coming from the Château d'Ognon-en-Valois. It is unclear how long 1991.1.1-.4 remained there.
2. 1992.1.1-.4 are discussed and illustrated in an article on Keck’s collection. Leon Harris, “La Laterne: Libby Keck has Reassembled the Regal Glories of Versailles in California.” Connoisseur Magazine (April 1987): 116-117, ill.