Untitled

Guy Goodwin

1984

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A geometric pattern familiar from many global traditions--whether textiles like American quilts, Persian carpets, Laotian appliques, and Bhutanese kira or tiled walls and floors or woodwork, Amighi has here harnessed patterns into a metal-and-shadow sculpture. The tightly tessellated pattern gradually disintegrates both in its shadow and in its form. Work includes a light in addition to the metal and fiberglass mesh sculpture.
Untitled (Insect?), Jimmy Lee Sudduth, paint and mud on wood board
This work was painted in animated marks that register as pattern and act to blur distinctions between the figures and their setting. Young has imposed compositional order through a stacked vertical arrangement that builds from urban structures to a row of elongated linear figures, a procession that does not so much carry the huge figure above them as celebrate his ascension into the mountains at the top of the image.
A large rectangular composition of overlapping, deconstructed football skins stitched together and resembling an abstract landscape in different earth tones with a splash of blue.