Uncle Sam

Carolyn Hall

1993

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The black canvas is painted with three brushes in the colors of the rainbow. From top to bottom, the first brushstroke is red to yellow, the second brushstroke is yellow to green, and the third is green to blue. There are dots scattered on the surface of the canvas, which is framed by a denim-wrapped frame.
The Sigh of the True Cross, Mel Chin, pine, olive, ash, mud, steel, ox gut and teff
Parts, near Tuscaloosa, Alabama, 1990, William Christenberry, chromogenic print
A black and white photographic interior view of Venice's St. Mark's Basilica showing statues and architectural elements wrapped and supported. The title of the print is rendered in letterpress in an old-style seraph typeface and spaced at between ¾-1" below the image, and centered.