By accessing the Birmingham Museum of Art’s website and image gallery, you agree to the Museum’s Terms of Use and any additional terms listed below.

Open Content Program

The Birmingham Museum of art makes available digital images of works in the Museum’s collection believed to be in the public domain. Images are available free of charge for any use, commercial or non-commercial. Users do not need to contact the Museum for authorization to use these images. They are available through the Online Collection at artsbma.org/collection. See detailed instructions for specific work types below.

Identifying Open Content Images

The mission of the Birmingham Museum of Art is to spark the creativity, imagination, and liveliness of Birmingham by connecting all its citizens to the experience, meaning, and joy of art. The Museum understands that by sharing images of works online without restrictions, the BMA collection becomes more accessible to a larger audience.

For objects with images the rights status is displayed in the “credit line” section of the object information. The rights status or rights holder will be indicated. If the work is in the public domain and/or the image may be downloaded, the download icon will appear in the bottom right corner of the image area. To search the collection click here.

Works With Restrictions

For copyright-protected images that have been approved by copyright holders, a presentation-sized image is available, but can not be downloaded. A copyright statement clearly listing the name of the copyright holder is visible in the credit line area when the image is displayed. Thumbnail-sized images of copyrighted works are displayed under fair use.

When the owner of a work is impossible to determine or contact, the work is deemed an orphan work. The Museum will make thumbnails of orphan works available. If you are the representative or rights holder of an orphan work, please contact Rights and Reproductions.

Credit/Citations

Please use the following source credit when reproducing an Open Content image: Courtesy Birmingham Museum of Art, followed by the credit line provided in the object description.

Although there are no restrictions or conditions of the use of an Open Content image, the BMA would appreciate a gratis copy of any scholarly publication(s) in which the images are reproduced in order to maintain collection bibliography. Copies may be sent to the attention of:

Open Content Program
Digital Media Department
The Birmingham Museum of Art
2000 Rev. Abraham Woods Jr. Blvd
Birmingham, AL 35203

Disclaimer

  • If an image is not available under Open Content it may be because the work is still under copyright, the work is not owned by the museum, or the work has not yet been photographed to BMA standards.
  • Request Images: If an image of a work is not available online or is under copyright, you may submit a request through our online request form. You may also request files in additional sizes or formats. A fee will be charged for this service.
  • Our determination of public domain is made in good faith.
  • Electronic records are based on historical information and may not be the Museum’s complete or current knowledge about an object. Research is ongoing.
  • The ‘On View’ status may be delayed on the website by 24 hours. Please check with our Rights and Registration Office to confirm that a work of art will be on view before traveling to the Museum.
  • For additional details and additional terms of use, please see the Birmingham Museum of Art’s Terms of Use Page
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Royal Iron Foundry at Gleiwitz

Modeled by Louis Beyerhaus, Royal Prussian Iron Foundry, Gleiwitz

1855

See More of the Collection

Majolica "Kate Greenaway" umbrella stand in the form of a yellow and cream straw bonnet with turquoise ribbon tied in a bow on either side and a peacock feather, the interior and bottom glazed turquoise.
Oval dark blue jasper intaglio with cypher on one side and male profile portrait on the other
Frieze tablet of solid light blue jasper with applied white jasper relief decoration of a swag containing roses and other flowers with oval sunflower paterae supports and two trailing ends on the left and three Dancing Hours figures on the right standing on a thin ground.
One of a pair of tall cream-colored, pearlware vases decorated in enamel colors and partially gilt, the gold a dark, brownish color, the small square base with a row of stylized anthemion motifs highlighted in gold, the foot with a border in a modified egg-and-dart pattern likewise picked out in gold, and the lower body of the urn-shaped vase with stylized, individually molded acanthus leaves outlined in gold; the main body of each vase is painted in the round with different delicate and very detailed seascapes that both show a gray and blue cloudy--almost stormy--sky over a choppy turquoise-blue sea, each scene includes a variety of ships with billowing sails, as well as groups of sailors in small row boats attempting to land ashore through rough, foamy waves, the sea also includes debris from the ships floating in the water, above each central scene is a band of overlapping leaves highlighted in gold, and the slender neck includes stylized foliate motifs outlined in gold and a band of beading around the lip; on each vase the two tall, slender, partially-gilt, scrolled handles has a slithery gold snake coiled around it, the snakes' heads rest on the shoulder of the vase.