Wedgwood bone china floral brooch with a blue and pink flower against green leaves on a metal mount

Brooch

Wedgwood

About 1970

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Cup-shaped bowl. The bowl's exterior is partially glazed and decorated with irregular black bands on top of a brown coat that varies in pigmentation intensity. The lower half of the bowl is glazed more consistently and the lower black bands have a drip-like quality to them and are also more uniform in size and spacing on the form. The upper half of the bowl contains unglazed black bands that are indented in most parts, creating a rough texture. The lip of the bowl is white and unglazed and the bowl's base is glazed and white. The bowl's interior is glazed irregularly and is primarily mustard, with areas of unglazed bone china showing through.
Oval dark blue jasper cameo with white relief of a Zephyr with polished edges
Oval black basalt intaglio, two-sided with profile portrait of woman on one side and Roman figure on the other, set in a rotating metal shank
Round blue jasper medallion with white relief profile portrait of Moliere (1622-1673) facing left. Jean-Baptiste Poquelin, who took the stage name of Moliere, was born in Paris, the son of an upholsterer, who was also valet-de-chambre to Louis XIII. He studied under the Jesuits at the College de Clermont. In 1641 Moliere succeeded his father as the King's valet, but soon abandoned the appointment for the stage, joining a company of strolling players. For a time he came under the patronage of the Prince de Conti, and the King's brother, the duc d'Orleans. He first played before the King in 1658. In the following year his genius as a comic dramatist asserted itself, and the well known comedies began to flow from his pen. In 1665 Louis XIV adopted Moliere's troupe of players as his own, giving its director a pension of a thousand livres. His last play was the Malade Imaginaire. Moliere was ill when it was played, and the exertion produced a haemorrhage from which he died a few hours later.