Tall, simple, tapered vase of cream-colored earthenware covered with a matt turquoise glaze, the body engine turned with parallel lines that encircle it, dividing it into five sections

Vase

Wedgwood, Designed by Keith Murray

About 1940

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Octagonal vase with clipped shoulder and flared lip, made of creamy beige, smooth stoneware covered on the interior with a mottled brown glaze and on the exterior with a clear glaze that allows the color of the clay to show through, each of the eight panels on the body decorated with brown glaze in a pattern of stylized leafy motifs.
Pair of tall, gilt-bronze candlesticks in the Neo-Byzantine style, each resting on four regal-looking, stylized winged panthers, with square columnar stems decorated with brightly-colored enamel in the cloisonné technique in a pattern of scrolls and leaf motifs, the top and base of the stem with gadrooning highlighted in blue enamel, with four bearded masks at the top of the stem supporting an urn shaped candle nozzle that is likewise decorated with bright enamel in the cloisonné technique and with a band of gadrooning highlighted in blue at the upper edge.
Hinged box with painting on the lid of a woman in a chair.
Vase with a cylindrical form and tapered base. The exterior is decorated with interspersed dimensional bands. The interior is glazed a gray-blue inconsistently, with black specks throughout. The lip of the vase extends towards the vase's center, parallel to the base.