Untitled ("Welcome to My Home..."), Reverend Benjamin Franklin Perkins, acrylic on board

Untitled (“Welcome to My Home…”)

Reverend Benjamin Franklin Perkins

1989

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female, standing
Untitled (House with Yellow Roof), Jimmy Lee Sudduth, paint and mud on wood board
The object is an oversized bronze sculpture of a reclining, longhaired female nude with an up-turned face. The figure rests on a fabric which drapes over a twelve-inch high base. The surface has a warm brown patina. The whole sculpture currently rests on base that raises it 21 inches off the ground. In this sculpture, Botero reinterpreted the odalisque, merging characteristics of primitive fertility goddesses with the voluptuous women of Rubens, Renoir, or Titian. Botero concentrates the heft in his figures at their center to attain the highest degree of volumetric expression and linear precision. His figures have been dubbed "Boteromorphs." Botero's art reflect the culture of his native Medellín, where pre-Columbian aesthetic traditions intermingle with the lingering influence of medieval Spanish Catholicism. Botero has also absorbed the influences of Diego Rivera, Henri Matisse, and others.
Untitled (Bottles, Glasses) Paris, 1988, Ralph Gibson, Portfolio published by Double Elephant Editions, Ltd., Type C color print