Large, rectangular, cast-iron plaque with the relief image of the Deposition, or Entombment of Christ, after being removed from the cross, the body of Christ is carried by Nicodemus and Joseph of Arimathea to the grave, behind them are the Virgin Mary swooning, Mary Magdalene, Martha and her sister Mary as well as Saint John against an architectural background, in a cast-iron frame with acanthus leaf motifs.

The Entombment of Christ

Modeled after Leonhard Posch, Royal Prussian Iron Foundry, Berlin, or Royal Prussian Iron Foundry, Gleiwitz

About 1820

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Simple silver sugar tongs decorated with bright cut engraving in a pattern of narrow, curving, intersecting bands comprised of scallops and dots, at the curved end in an oval reserve engraved the initials HMB, the pointed bowls with minimal prick-dot engraving.
Irregularly shaped, the figure in profile right holding a shield in right hand and sword in left.
Small oval medallion of white jasperware with black jasper relief of an African slave wearing only a loin cloth, kneeling and in shackles, with his hands grasped together, around him the inscription AM I NOT A MAN AND A BROTHER?
Small urn-shaped, two-handled vase mounted on a round drum-shaped pedestal, the pedestal of black jasper dip, engine-turned in Wedgwood's "diced ware" checkerboard pattern of black and white with yellow relief decoration in the form of quatrefoils and white relief decoration in the form of scrolling leaves and leafy elements, the vase rests on a plain white square plinth and has a round foot enhanced with a leafy border and overlapping acanthus leaves on the vase's stem, both likewise in white relief, the lower body of the vase with an acanthus leaf and star pattern, the upper body decorated in the same "diced" pattern as the pedestal with a band of leafy vines directly below the lip in white relief, the lip with a border of white stylized floral motifs, the two white jasper handles terminate in rams' heads.