Sea-weed At Low Tide --Hellnar, Snaefellsnes, Eliot Porter, dye-transfer print

Sea-weed At Low Tide –Hellnar, Snaefellsnes

Eliot Porter

1972

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U.S. District Judge U.W. Clemon, Bruce Davidson, silver print
A large-scale color photograph from a series commonly referred to as the "History Pictures," in which the artist created numerous images modeled on Renaissance-era European portrait painting. Sherman uses herself as the model in these pictures. Instead of directly quoting any one work or artist, in the "History Pictures" Sherman recreates the historical postures, types and trappings of the genre. "Untitled #213" is particularly reminiscent of the work of German painter Hans Holbein; there are marked similarities between "Untitled #213" and Holbein's portrait of Thomas More. Sherman achieves her imitations of these earlier portraits through playacting, costume, make-up, prosthetics, set decorations and lighting. The overall effect of "Untitled #213" is "realistic," except that Sherman has accentuated the fakeness of the figure's false scalp with attached hair and eyebrows. The work is in an original frame created to the artist's specifications.
A nude woman brushes her hair in front of a mirror in which the face of an old woman and a skull is reflected.
Moses and the Ten Commandments, Fred Webster, painted wood