The elegant figures of Saints Lucy and Agnes can be identified by their attributes. Lucy holds a dagger in her left hand, a symbol of her martyrdom, and in her right she holds a bowl with her two eyes, which, according to legend, she plucked out but which were miraculously restored. Agnes is depicted holding her distinctive attribute, the lamb, which refers to both the mystic Lamb of God, and to the similarity of her name to the Latin word for lamb, agnus. It has been proposed that this panel, along with Bishop Saint and Saint Francis, may be the lateral wings to a Madonna and Child of 1434, the only signed and dated work of Anguilla, now in the Collegiata di Sant’Andrea near Lucca.
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- Titles Saints Lucy and Agnes (Proper)
- Artist Attributed to, Francesco di Andrea Anguilla, Italy, Lucca, doc. 1384 - 1444@Formerly attributed to, Turino di Vanni, Italy, 1349 - 1438
- Medium tempera on panel
- Dimensions 52 3/4 x 19 3/8 in. (134 x 49.2 cm) frame: 63 1/2 × 25 3/4 × 4 in. (161.3 × 65.4 × 10.2 cm)
- Credit Line Gift of the Birmingham Public Library, 1998.63
- Work Type painting
- Classification Paintings
- On View
- Provenance Possibly Santa Lucia, Lucca [see note 1]. With Count Alessandro Contini-Bonacossi (1878-1955), Florence; purchased by Samuel H. Kress (1863-1955), New York, September 13, 1931 as Turino Vanni; gift of the Kress Foundation to the Birmingham Public Library, 1933; on loan to the Birmingham Museum of Art, 1952; gift of the Birmingham Public Library to the Birmingham Museum of Art, 1998
1. According to Labriola, Ada. Sumptuosa tabula picta. Pittori a Lucca tra gotico e rinascimento. Edited by Maria Teresa Filieri. Livorno: Sillabe, 1998, 249, Miklós Boskovitz suggests and the author agrees that BMA 1998.63 and 1998.64 look stylistically similar to and may have formed the lateral wings of the Madonna of Montecarlo painted in 1434.