Rabbit

Whieldon

About 1760

  • Titles Rabbit (Descriptive)
  • Artist Whieldon, England
  • Credit Line Collection of the Art Fund, Inc. at the Birmingham Museum of Art; Catherine H. Collins Collection, AFI.395.1998
  • Work Type figure
  • Classification Sculpture

See More of the Collection

Large well modelled rectangular basalt plaque depicing the 'Fall of Phaeton' by George Stubbs. R.A. featuring Phaeton the son of the sun god in his chariot pulled by four horses with Phaeton straining at the reigns to get them under control.
Vase, David Puxley, Wedgwood, black basalt with glazed interior
Solid light blue jasper tablet with applied white jasper relief decoration with light shading depicting Achilles at Skyros at the time of his discovery and departure, with from left a knight with horse, Lycomedes sitting on the throne, two naked Doryphoroi, or spear bearers, one of Lycomedes daughters in a long girt chiton springing away with a gesture of alarm, Achilles brandishing a sword, his woman's chiton slipping, his lover Deidameia is behind him with her hands on his shoulders, three other male figures, possibly Odysseus, Agamemnon with an attendant, and Diomedes are to the right.
Oval blue jasper plaque with white relief scene of Marriage of Cupid and Psyche, The subject was originally taken from a Renaissance gem, a sardonyx, then in the Marlborough collection and now in the Museum of Fine Arts, Boston. Wedgwood produced three distinct versions of the subject two of which show significant variations from the originals. The version closest to the original was probably taken from a sulphur cast of the gem by Tassie who reproduced it in his glass paste, or from a direct study of the Marlborough gem. Wedgwood was acquainted with the fourth Duke. The third version, attributed to Flaxman gives more space to the figures and incorporates detail from the other two versions. Bartolozzi engraved the subject, either from Marlborough gem or Tassie copy. Hackwood worked on the subject in 1774 from a cast supplied by Tassie. Lochee is reputed to have remodelled the subject in 1787 after Tassie. Webber is also said to have worked on it. Flaxman’s version seems to have been comparatively late, about 1787.