Open Content Program
The Birmingham Museum of art makes available digital images of works in the Museum’s collection believed to be in the public domain. Images are available free of charge for any use, commercial or non-commercial. Users do not need to contact the Museum for authorization to use these images. They are available through the Online Collection at artsbma.org/collection. See detailed instructions for specific work types below.
Identifying Open Content Images
The mission of the Birmingham Museum of Art is to spark the creativity, imagination, and liveliness of Birmingham by connecting all its citizens to the experience, meaning, and joy of art. The Museum understands that by sharing images of works online without restrictions, the BMA collection becomes more accessible to a larger audience.
For objects with images the rights status is displayed in the “credit line” section of the object information. The rights status or rights holder will be indicated. If the work is in the public domain and/or the image may be downloaded, the download icon will appear in the bottom right corner of the image area. To search the collection click here.
Works With Restrictions
For copyright-protected images that have been approved by copyright holders, a presentation-sized image is available, but can not be downloaded. A copyright statement clearly listing the name of the copyright holder is visible in the credit line area when the image is displayed. Thumbnail-sized images of copyrighted works are displayed under fair use.
When the owner of a work is impossible to determine or contact, the work is deemed an orphan work. The Museum will make thumbnails of orphan works available. If you are the representative or rights holder of an orphan work, please contact Rights and Reproductions.
Please use the following source credit when reproducing an Open Content image: Courtesy Birmingham Museum of Art, followed by the credit line provided in the object description.
Although there are no restrictions or conditions of the use of an Open Content image, the BMA would appreciate a gratis copy of any scholarly publication(s) in which the images are reproduced in order to maintain collection bibliography. Copies may be sent to the attention of:
Open Content Program
Digital Media Department
The Birmingham Museum of Art
2000 Rev. Abraham Woods Jr. Blvd
Birmingham, AL 35203
- If an image is not available under Open Content it may be because the work is still under copyright, the work is not owned by the museum, or the work has not yet been photographed to BMA standards.
- Request Images: If an image of a work is not available online or is under copyright, you may submit a request through our online request form. You may also request files in additional sizes or formats. A fee will be charged for this service.
- Our determination of public domain is made in good faith.
- Electronic records are based on historical information and may not be the Museum’s complete or current knowledge about an object. Research is ongoing.
- The ‘On View’ status may be delayed on the website by 24 hours. Please check with our Rights and Registration Office to confirm that a work of art will be on view before traveling to the Museum.
- Titles Iconography (Series)
- Artist After, Anthony van Dyck, Flemish, active England, 1599 - 1641 / Engraving by, Paulus Pontius, Flemish, Antwerp 1603 - 1658 Antwerp
- Medium engraving
- Dimensions sheet: 9 5/8 × 7 in. (24.4 × 17.8 cm) image: 8 3/4 × 6 7/8 in. (22.2 × 17.5 cm) mat: 20 × 16 in. (50.8 × 40.6 cm)
- Credit Line Collection of the Art Fund, Inc. at the Birmingham Museum of Art; Gift of Roy Curtis Green, AFI.118.2014
- Work Type print
- Classification Prints
- Signature Watermark, bottom center, oriented sideways: [fool's cap] Collector's stamp, verso, bottom left, in black ink: GF [in circle, Lugt 1152] Collector's stamp, verso, bottom right, in blue ink: ES [inside two squares, Lugt 4191]
- Marks Watermark, bottom center, oriented sideways: [fool's cap] Collector's stamp, verso, bottom left, in black ink: GF [in circle, Lugt 1152] Collector's stamp, verso, bottom right, in blue ink: ES [inside two squares, Lugt 4191]
- Inscription Recto, in plate, below image center, printed: CORNELIVS VANDER GEEST / ARTIS PICTORIÆ AMATOR ANTVERPIÆ In plate, bottom left, printed: Ant. van Dyck pinxcit / Paul Pontius sculp. In plate, bottom right, printed: Cum priuilegio Verso, lower left, in pencil: Franck / 1818. Lower right, in pencil, in different hand: Totre 3.g. [?] - après G. H. Bottom left, in pencil, in different hand: [two lines of indecipherable script] Bottom left, in pencil, in different hand: Ritten G. van Franick (L. 1152) Bottom center, in pencil: Mauquoy 48.- IV/VI Lower right, in pencil, in different hand: MH48 Bottom right, in pencil: 54
- Provenance Franck 1818 (probably Alfred Ritter von Franck, Vienna and Graz, cf. Lugt 949, 947, 949); Gustav Ritter von Franck, Vienna (Lugt 1152); Emile Stuyck, Brussels [Lugt4191]; with C. G. Boerner; purchased by Roy Curtis Green, 2009; gift to Art Fund, Inc. at the Birmingham Museum of Art, 2014