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- Titles Portrait of a Gentleman (Self-Portrait?) (Proper)@Portrait of a Gentleman (perhaps a Self-Portrait) (Label Display)
- Artist Jean-Baptiste Perronneau, French, about 1715 - 1783
- Medium oil on canvas
- Dimensions 20 1/2 x 16 1/4 in. (52.1 x 41.3 cm) frame: 26 1/2 × 22 1/2 × 3 in. (67.3 × 57.2 × 7.6 cm)
- Credit Line Eugenia Woodward Hitt Collection, 1991.251
- Work Type painting
- Classification Paintings
- On View
- Signature Unsigned
- Inscription Verso, upper stretcher, center, black marker: 18681 18681 Verso, right stretcher, upper right, white chalk: P Verso, right stretcher, bottom right, black marker: 18681 Verso, right stretcher, bottom right, white crayon: F 132 Verso, horizontal strainer, left, pencil: 2 Verso, horizontal strainer, center left, marker: 135 Verso, horizontal strainer, center left, pencil: 29 [slightly under label] Verso, horizontal strainer, center, typed label: FEM SEKLER FRANSK KONST / Cinq siècles d’art français / 5 [in pencil on label] / 15. VIII.-. XI. 1958 / NATIONALMUSEUM / STOCKHOLM / N:O 86 [86 written in marker on label] Verso, horizontal strainer, center right, pencil: 5 Verso, bottom stretcher, center left, black marker: 1991.251 Frame, verso, upper left, red printed label: Annexe / N 209 Frame, verso, top center, printed label: Fondée en 1760 / A LA DE LORRAINE [around a cross of Lorraine] / Chenue. S.A.R.L / Layetier Emballeur / 5, Ru [ripped] la Terrasse, PARIS (17e) / R C SEINE 285.799 B / 568 Frame, verso, upper right, white chalk: HITT Frame, verso, center right, black circular stamp: ONA [? illegible, faded] Frame, verso, lower right, pencil on label: 568 [label ripped] Frame, verso, lower right, pencil on circular white sticker: 568 Frame, verso, lower right, white chalk: 4-6- [illegible, possibly J-6] Frame, verso, lower center, black marker: 1991.251 Frame, verso, lower center, pencil: 04 20 Lain [? illegible]
- Provenance Probably Henri Charles Perronneau, Paris (later Nazelles, Indre-et-Loire), grandson of the artist. Probably Charles Auguste Callixte Schmidt, Tours, 1847 or 1848 [see note 1]. Collection Gustave Rothan (1822-1890), Paris [see note 2], his sale galerie Georges Petit, May 29-31 1890, lot. 184 as "Portrait d'homme;" purchased by Camille Groult, Paris [see note 3]; inherited by his widow, Camille Groult, born Alice Émilie Thomas Tassin de Moncourt (Olivet, 1837-Paris, 1918) by 1909; inherited by the Groult family until 1943. Wildenstein and Co., New York, by 1954; purchased by Eugenia Woodward Hitt (1905-1990), New York, by 1965; by bequest to the Birmingham Museum of Art, Alabama, 1991
1. According to Dominique d'Arnoult, Jean-Baptiste Perronneau ca. 1715-1783: Une Portraitiste dans L’Europe des Lumière (Paris: Arthena, 2014), pp. 212-213. Schmidt corresponded with Louis Clément de Ris, who knew the portrait (Clément de Ris à Jules de Goncourt, Paris, June 29, 1865, fol. 232-233).
2. Rothan was a French diplomat and "ministre plénipotentiaire" of Napoléon III in Germany, who retired to work as a historian and writer in Paris. 1991.251 is not among those listed as in the Rothan collection in 1873 by Paul Mantz. It is part of the sale after Rothan's death with an attribution to Perronneau ("Portrait en esquisse, brossé avec une surpreante facilité", Paris, May 29-31, 1890, lot 184).
3. Annotation in the sales catalogue, INHA, collection Jacques Doucet. Recorded by Henri Haro in 1908 as in the Salon de Psyché in his house on Avenue Malakoff ("470. Perronneau. Portrait d'homme aux grands cheveux bouclés. T. 50 x 40. 6.000"; see INHA, Archives 132). Just before the war the painting was transferred to Brissac, where it was seen by Gaston Brière, conservateur au musée du Louvre, and included in a list of paintings in the Groult collection attached to his letter sent from Brissac to Paul Ratouis de Limay on March 2, 1943.