High Noon, Ed Eisenlohr, lithograph

High Noon

Ed Eisenlohr

20th century

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At the center of the work is an irregular circle outlined in black. The circle is divided into a light blue upper portion and a light pink lower portion. The circle is partially intersected by a stroke of brown paint emerging from the right. Above the circle are two slanted lines that meet at the bottom of an irregular black rectangle, part of which is covered in brown with two dashes of light blue below it. Two thin vertical black lines emerge from the bottom towards the circle. The background of the work is painted white.
Where the Two Came to Their Father, Maud Oakes, After a drawing by Jeff King, screenprint
Little Church Around the Corner, Lucy Jane Salter, woodcut
A bright red house against a vivid blue sky. The windows and door have white mullions and the black panes denote darkness within the house. A black-and-white checkerboard patio occupies the foreground to the right, while purple irises grow in the extreme foreground at left.