In the late nineteenth century, cigar smoking enjoyed unprecedented popularity. In 1885, Rudyard Kipling wrote “The Betrothed,” a poem in which—after comparing their relative merits—he chooses cigar smoking over his fiancée, declaring, “a woman is only a woman, but a good cigar is a smoke.” At the time, cigars were often sold in bundles wrapped with a silk ribbon bearing the brand name. According to some sources, the colorful ribbons were an ingenious marketing strategy to attract the wives of cigar smokers, who may have otherwise disapproved of their husbands’ habit. The ribbons became popular collectibles, and women sewed them into pillows, tablecloths, quilts, and even smoking jackets. This example, either intended as antimacassar—a decorative covering for protecting the back of an upholstered chair from hair oil—or a panel for a larger quilt, was likely made by the great-great-great grandmother of the donor, in what was then Washington Territory.
- Titles Crazy Quilt Square (Descriptive)
- Artist Probably made by, Adeline Davison Downie, American, born Canada, 1829 - 1906
- Medium silk cigar ribbons
- Dimensions 20 x 20 in. (50.8 x 50.8 cm)
- Credit Line Collection of the Art Fund, Inc. at the Birmingham Museum of Art; Gift of Dr. Graham C. Boettcher in memory of Kenneth R. Graham, AFI.112.2007
- Work Type quilt square
- Classification Quilts
- Inscription Cigar ribbons printed with names, mottos, and insignia of various brands
- Provenance By descent to Dr. Graham C. Boettcher; given to the Art Fund, Inc. at the Birmingham Museum of Art