Candlestick

Roseville Pottery

About 1935

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Dress in two parts—bodice and skirt. Long sleeved cream bodice with a high neck. The collar is light orange velvet with knife pleats. Around the waist is the same velvet, which crosses in the front. Across the chest and down the arms, the fabric has diagonal stripes with an orange paisley and floral pattern, bordered by stripes with a black paisley pattern. The section across the chest is outlined with black floral appliques. Across the collarbone and the stomach is sheer beige fabric that is heavily pleated. This fabric has black appliques on it. The cream fabric crosses the mid-back and goes under the arms and across the shoulders. The sheer fabric continues around to the back. The collar becomes higher in the back. There is a thin ribbon of orange velvet with a bow around the wrists. The bodice is fully lined and boned. The floor length skirt made of cream striped fabric striped with an orange paisley and floral design outlined by stripes with a black paisley pattern. Three layers of ruffles are at the bottom, but the ruffles stop at the side. The ruffles are lined with a sheer fabric and black lace. The back has a small train. A cotton underskirt has been attached, but it is not original. Hook and eye closures in the back.
Cup or Mug, Miller Pottery, Alabama, Perry County, stoneware with Albany or Michigan slip and white feldspar glaze, blue pieces tinted with cobalt
A figural jug depicting an African-American man with exaggerated facial features, particularly his caricatured lips, nose and ears. His curly hair is formed by incised repeating loops, resembling scribbles. He wears a cap, hoop earrings, shirt with a stand up collar (and single visible stud or button), cravat, and a coat with broad lapels and buttons impressed with “J. LEHMAN,” the maker’s name. A large, buckle-like square probably surrounded a paper label for whatever product the jug contained. The figure has arms, but no hands, and is rendered to appear as if his hands are shoved in the pockets of his coat. There are small air holes at the back of each arm to prevent an explosion during firing. The jug’s handle is a shaped like the number 9, and is finished (where the tail of the handle meets the body of the jug) with a mold-formed grape and grape leaf motif found in some of Lehman’s other decorated vessels. There appears to be an oval incised on the bottom of the vessel.
Tall wine goblet of clear glass with a narrow, elongated bowl, the long stem shaped to resemble the female torso with the application of a translucent, amber color glass, with round foot.