Delicate bracelet comprised of four small dark blue, double-sided, rectangular medallions with white jasper bas relief of 1) Cupid riding a hippocampi and Cupids drawn by lions; 2) Cupids drawn by lions and Cupid riding a hippocampi; 3) Three cupids with goat at altar and two Cupids with goat at altar; 4) Cupids drawn by lions and Cupid riding a hippocampi, placed between four round, dark blue jasper medallions with white jasper bas relief of pin wheel motifs with a central jargoon, or faux stone, all of the medallions are mounted in gold and attached to one another with simple gold links, with rose gold clasp and safety chain.

Bracelet

Wedgwood

1790-1800

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One of a pair of tall cream-colored, pearlware vases decorated in enamel colors and partially gilt, the gold a dark, brownish color, the small square base with a row of stylized anthemion motifs highlighted in gold, the foot with a border in a modified egg-and-dart pattern likewise picked out in gold, and the lower body of the urn-shaped vase with stylized, individually molded acanthus leaves outlined in gold; the main body of each vase is painted in the round with different delicate and very detailed seascapes that both show a gray and blue cloudy--almost stormy--sky over a choppy turquoise-blue sea, each scene includes a variety of ships with billowing sails, as well as groups of sailors in small row boats attempting to land ashore through rough, foamy waves, the sea also includes debris from the ships floating in the water, above each central scene is a band of overlapping leaves highlighted in gold, and the slender neck includes stylized foliate motifs outlined in gold and a band of beading around the lip; on each vase the two tall, slender, partially-gilt, scrolled handles has a slithery gold snake coiled around it, the snakes' heads rest on the shoulder of the vase.
Copy of the Roman glass Portland Vase (now in the British Museum) in solid black jasper with white jasper relief decoration, the two-handled vase in the shape of an amphora, one side shows on the left the image of a nude male emerging from an architectural structure and grasping the arm of a recumbent, draped female figure holding a sea serpent, above her is a flying cupid holding his bow and arrows, to the right is a tree and a nude male figure resting his right leg on the stump, his chin in his right hand, which is resting on his knee; on the other side left is a draped male figure seated on a rocky structure next to a column, he looks over his shoulder to his left at a central figure, a draped, recumbent female, lying on the rocky base, looking slightly left and with her right arm reaching over her head, behind her and to the right is the figure of a draped seated male looking over his right shoulder at the central figure; underneath each handle is a bearded mask; the base with the image of a cloaked figure, head lowered, wearing a wrapped headdress, with right arm raised to face, in the background foliage; the white relief has been selectively shaded using a black jasper slip to give the impression of enhanced translucency.
Blue and white butter tub with flowers, Chinese export ware
Oval self-shanked black basalt intaglion with Endymion on Mount Latmos