Aristophanes

Wedgwood

About 1780

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Campana vase of black basalt on small square plinth, the foot with a band of overlapping leaves, the lower body gadrooned and the upper body engine turned, with a band of overlapping acanthus leaves around the flared lip and on the underside of the lip a band of grape leaves and bunches of grapes on a vine, with two short loop handles, the cover missing.
Cup-shaped bowl. The bowl's exterior is partially glazed and decorated with irregular black bands on top of a brown coat that varies in pigmentation intensity. The lower half of the bowl is glazed more consistently and the lower black bands have a drip-like quality to them and are also more uniform in size and spacing on the form. The upper half of the bowl contains unglazed black bands that are indented in most parts, creating a rough texture. The lip of the bowl is white and unglazed and the bowl's base is glazed and white. The bowl's interior is glazed irregularly and is primarily mustard, with areas of unglazed bone china showing through.
Rectangular tablet of solid light blue jasper with dark blue jasper dip and white relief decoration depicting five of the nine Muses—Erato with her kithara, Muse of choral dance and song; Melpomene holding a dagger, Muse of tragedy; Calliope writing, Muse of epic poetry; Thalia holding a comic mask, Muse of comedy; and Urania next to her globe, Muse of astronomy.
Large round faience charger, the ground glaze with a bluish tinge, painted in shades of light and dark blue enamel with manganese, in the center well a scene of the Holy Family at rest under a tree, on the left is a seated Mary holding the draped Christ Child, on the right is Joseph seated on a rock and turned toward Mary and the Child, holding a walking stick in his hand, on the left is a second walking stick and pack leaning against a rock, in the background a landscape with mountains and a distant town, the rim with a wide band of naturalistic flowers and foliage, around the well and on either side of the floral band are narrow bands of light blue enamel, the figures and flowers are outlined in manganese; the underside of the rim is decorated with a pattern of lines and curves in dark blue enamel.