Spotlight on the Collection

May 2014: Plank Mask

Plank Mask (nwantantay). Late 20th century. Yacouba Bonde Bwa people, Village of Boni, Burkina Faso (born 1963). Wood, pigment. 77 × 14 × 12 inches. Museum purchase with funds provided by Martha Pezrow, 2004.54.

Plank Mask (nwantantay). Late 20th century. Yacouba Bonde, Bwa people, Village of Boni, Burkina Faso (born 1963). Wood, pigment. 77 × 14 × 12 inches. Museum purchase with funds provided by Martha Pezrow, 2004.54.

Plank Mask, Yacouba Bonde, late 20th century

The Bwa – an ethnic group of about 300,000 people who live in small villages and towns in the West African countries of Burkina Faso and Mali – mark rites of passage such as initiations and funerals with masquerades. These masked performances, which take place primarily during the dry season, enable the Bwa to connect with ancestors and other invisible forces that govern the natural world. While some Bwa have adopted Christianity or Islam, most remain animists, a belief system in which nonhuman entities like animals, plants, inanimate objects, and natural phenomena possess a spiritual essence.

For the masquerade, Bwa artists make large masks from leaves or wood, which they then intricately carve and decorate with red, white, and black paint, feathers, and fibers. Some of the masks represent recognizable animals such as monkeys, hawks, buffalos, or snakes; while artists decorate others, like this nwantantay, or tall plank mask, with symbolic abstract imagery (crescent moon = women) or geometric patterns (X = crossroads, checkerboard = opposites). Performers attach the masks to black or red fiber costumes, and bite down on rope passing through holes in the mask to secure it to the face while dancing.

Yacouba Bonde is not only a sculptor, but he is also an elder, regional chief, and artistic director of the Bwa village of Boni. In the latter role, he works with villagers to choreograph initiation masquerades – wherein the masks work together with music and dance – to transition Bwa youth into full-fledged and contributing members of society.

Bwa plank masks have become such an important symbol of national identity in Burkina Faso and Mali that their motifs feature prominently on their common currency, the West African CFA franc, which is also used in Benin, Côte d’Ivoire, Guinea-Bissau, Niger, Senegal, and Togo.

See more!

To learn more about this mask, click here or visit the Museum’s ArtsBMA highlights app here and here.

To learn more about Bwa initiation ceremonies and to see plank masks by Yacouba Bonde in action, watch Coming of Age in Africa: Initiation in the Bwa Village of Dossi (video by Yacouba Bonde; produced, edited and narrated by Christopher D. Roy, 2008).

To learn more about African art, watch African Art Techniques: Wood, Cloth, Metal, Clay (video by Jacob Bamogo, Abdoulaye Bamogo, Yacouba Bonde, and Christopher D. Roy; produced, edited, and narrated by Christopher D. Roy, 2009).

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